Artist Series -- Lady Lina

I would like to introduce you to Katarina from Dubrovnik, Croatia. I met Katarina when she used some of my cuffs in her treasuries. During that time we exchanged emails discussing our crafts. Katrarina is such a lovely person and I have enjoyed making her acquantance and wanted to share her love of crafts and art with you. Katarina has two Etsy shops, Lady Lina and PerfectCut. I love both and her work is perfection defined!

1.When did you become interested in crafting and did you choose it, or did it choose you?

Handcrafting has always held an important place in my family. My grandmother was a couturier (seamstress), and she taught me how to sew. I remember my mother being fascinated by different fabrics and magnitude of their colors, lace, wool, while she was also intrigued by nails, pliers, screwdrivers... So there was constant handmaking going on in my house, knitting, crocheting, coloring, fixing... I feel that in such a home atmosphere it would have been difficult not to adopt handcrafting as another personal challenge.

2. You get to spend one weekend each with three historical figures, an artist, a writer and one of your choice. Who are they and what will you talk about or do?

The artist would have to be Chopin. His music absolutely fascinates me. I feel it would be a gathering of two soul mates.

The writer would be Milan Kundera. His books have played a significant part in my maturing. I would love to be able to sit now, as a mature person, and have a conversation with the old shrewd. This question has inspired me to revisit some of his books!

The great scientist and visionary Nikola Tesla enabled today's ways of communication with his ingenious inventions. Many of his ideas have not been implemented yet. It would be very interesting to hear from such a grand mind what the future holds! I believe he would also like visiting his native land.

3. How has the popularity of the Internet affected your work?

Internet has opened so many doors in my life, into the world. I met a vast array of great and talented people, and have acquired many new friends. An abundance of opportunities have presented themselves to me, and I have been able to learn many new crafts and much more.

4. Have you discovered any new technique to creating your work that you can share? How do you come up with your ideas?

I recently discovered a method of cutting through wood and plexiglas with a laser cutter.
A completely new technology to me, that I am slowly adopting. My husband uses the laser cutter in his work, and I simply have to try everything that is new!




5. If I walked into your crafting area this moment what would you show me first? What would you want to hide?

Since my work area is mainly my living room, the first thing you would see would be the table cloth on the living room table, embroidered by my husband's grandma. The pattern of it is specific to Dubrovnik region. I think you would find it very interesting! Needlepoint/embroidery is an area I want to perfect; therefore I always keep this table cloth in my sight.
And I would not hide anything. Most of working areas are a creative mess, aren't they?

6. Describe something that comes up in your work because of a life experience?

My husband is an advertisement and billboard designer. He mostly works with Plexiglas. Until recently, to me Plexiglas was just another plastic material. Then I discovered that this material is a rather interesting medium that can turn into an unusual piece of jewelery. So now, besides fabric, wool and thread, Plexiglas is my new obsession!

7. Describe what you do or who you are in a haiku

Embroidered dreams
become shaped fabric of colors
singing an adorned tale

8. Is there anything else that you would like to share?

I would like to thank you for including me in your blog; among all these wonderful artists...I am grateful for your support and for the opportunity to share my humble work with the world.

Artist Series - Julieandco

Have you heard of Temari? I saw them for the first time two years ago and fell in love. I bought a book, sat myself down, and began making some. It looks a lot easier than it is! I was never really satisfied with the outcome so I put that craft aside. As I was wandering around Etsy one day I found Julieandco and all of her beautiful Temari. I was excited to see how beautiful they were and the color combinations are truly unique. Let me introduce you to an inspiring artist and Temari master...

1. When did you become interested in art and did you choose art, or did it choose you?

I have always been surrounded by art: one of my brothers and my sister are both artists, my mom has always been a crafter, and my dad was a builder. Working with our hands is natural for us. However, my oldest two brothers are scientists and in a way, I think I have some of both of those talents. Japanese temari are very detailed, precise geometric (like science), yet colorful and visual (like art). I become restless if I am not crafting something or making things of beauty. I have been sewing, crafting, experimenting, and creating since my early teen years.

2. You get to spend one weekend each with three historical figures, an artist, a writer and one of your choice. Who are they and what will you talk about or do?

I would definitely want to have a chat over tea with Mary Cassatt -- her paintings of mothers and their children move me. I saw an exhibit of hers in Chicago and wept at her perfect depiction of the gentle love between a mama and the baby at her breast. I would love to pick C.S. Lewis’ brain....he intrigues me. I would also love to sit in daVinci’s studio and watch him work. He was genius in both art and science.

3. How has the popularity of the Internet affected your work?

I never would have dreamed any of this was possible, honestly. My four daughters encouraged me to open an Etsy shop and many friends also challenged me to go for it. The whole global customer concept is thrilling and terrifying!

4. Have you discovered any new technique to creating your work that you can share? How do you overcome artist block?

Temari is an ancient folk art form, originally begun in China and then adopted by the Japanese, where it is highly revered today. I am clearly a novice at this amazing craft and do not pretend to bring much originality to it, only my own delight and effort to each one I make. The patterns are traditional and yet each temari is unique. Color choice is my main challenge and is usually resolved with several of my daughters and my husband offering their opinion and preferences as I begin each new design.

5. If I walked into your studio this moment what would you show me first? What would you want to hide?

Considering the fact that my “studio” is simply my family room, I would lead you over the pile of shoes by the back door, push past Maggie the pug (no doubt, clammering for some love from you), and welcome you into our family. I am a wife and homeschool mom first and foremost and I’m sure my daughters would be eager to show you their art as well. We spend a lot of time together and I love how my craft fits in with our family life and home. I would probably want to hide the fact that nearly all of my craft is in two plastic storage tubs and lots of ziploc baggies! So high-tech!

6. Describe something that comes up in your work because of a life experience?

I had the privilege of traveling to southeast Asia several years ago following the tsunami (including a short stay in Tokyo) and have developed an appreciation and passion for her culture, her people, and her countries. It is an honor to take part in crafting an ancient Japanese art. I love the fact that Japanese women taught their daughters this craft, since I have also taught my daughters through homeschooling. I will say again that I am truly a novice in making temari. In Japan, the steps to becoming a Temari Master are long and challenging.

7. Describe what you do or who you are in a haiku

Seems fitting, being a form of Japanese poetry, and the fact that I have a B.A. in English!

Humbled by ancient
Peering into illusion
Curving symmetry

8. Is there anything else that you would like to share?

I am truly honored to be featured in your series. To think that my temari are in homes around the country and their beauty appreciated is amazing! I had a blast creating a large grouping of temari for a neighbor in her living room colors, the largest being nearly 6” in diameter! It is delightful to create things of beauty and custom orders are fun!

Artist Series - Gilfling

I have been visiting with Gilfling for over a year now. We met when a thread was posted regarding mentors and matching shop owners who could provide some moral support to one another. Boy did I need it then and Gilfling was a great sounding board. Another plus was that I fell in love with her work and purchased not only some of her cuffs, but also some artwork. Her customer service is exceptional. I'm glad that I met you Gilfling and send you best wishes for continued success.

1. When did you become interested in art and did you choose art, or did it choose you?

I wanted to be an artist for as long as I can remember (in-between periods of dreaming of growing up to be a paleontologist, archaeologist, and dancer) and was constantly creating, whether in the form of artwork, writing or poetry. However, by the time I hit my late teens (and ‘art college application time’!) I had run out of steam a little and turned in a rather pitiful portfolio. A break of many years in which I pursued varying careers including being a nanny, swimming teacher and learning disabilities nurse, eventually, in a round-about-way led to art choosing me and I have never lost my feeling of gratitude at the amazing way my life has been turned around because of it.

After suffering a serious back condition, I had a long period of inactivity. This consequently led me to take a few art classes and eventually I had the chance to study performance costume at university. Now I manage to combine teaching, costume and my own artistic creations in a rather haphazard but ultimately satisfying way! When not teaching, I am painting, sketching, designing, felt making, playing with fabrics and textiles, making accessories, thinking of all the things I want to make and procrastinating about which idea to tackle first. One thing I can say about myself is that I am never, ever bored!

2. You get to spend one weekend each with three historical figures, an artist, a writer and one of your choice. Who are they and what will you talk about or do?

Oh gosh – how to cut it down to just three! If I were able to spend time with any artist, it would have to be Leonard Baskin. A sculptor, illustrator, writer and printer he also took on important commissions such as the Holocaust Memorial. His work just moves me, the expressions in his portraits and the beautiful detail in his etchings. I would ask him to teach me printmaking and perhaps we would just sit and talk of his inspirations, but most of all I would just like to see his work in real life and lose myself in the details and characters of his work.

I have a permanent collection of Angela Carter books by my bedside and read them often. The short stories, her fairy tale collections and her novels and I just get lost in the descriptions and tales, which I can visualize so clearly in my mind. Her work is a great influence on my art, the richness of detail and the darkness and melancholy that to me is present. I would love her to read her stories to me by a log fire so that I could sit, sketch, paint, and imagine I was lost in the worlds of her characters so that they unfolded on the paper as I was working.

During my costume degree, I discovered the collections of Henry Wellcome. Whilst working on a project in which I became fascinated with cabinets of curiosities and historical medicine I found a book called ‘The forgotten Museum of Henry Wellcome’. This man traveled the world, and attained a vast collection, which represented art, science, anthropology, and the history of medicine. With items from all over the world and from many different centuries, it is a fascinating collection. During his lifetime (1853-1936) he must have experienced and seen incredible things and his work is a real inspiration to me. Of course I would want to travel with him and visit many different cultures, learning, sketching and dreaming of the things I could create from that inspiration.

3. Do any of these choices influence your work? and why?

Each of these characters inspires me in the work I do and I think my own personal aesthetic reflects that very strongly. Layers, memories, character, sadness, the strange and unusual, storytelling and anthropology all inspire me. There are so many layers and hidden and subtle meanings in my own work and this has developed form my own eclectic interests. One thing that I am always reminding myself when I feel the days are too short and there are never enough hours – is that my days are as long/short as those of Leonardo da Vinci, Mozart, and all the other artists and creators I admire. They too only had those precious 24 hours in a day and look what they achieved! That is very humbling and stops me in my tracks when I (all to frequently) utter the phrase “there are never enough hours in the day to do all the things I wish to do…..”

4. How has the popularity of the internet affected your work?

The internet has been invaluable to me. When in late 2006 I first tentatively put a few handmade, crocheted items up for sale in my etsy shop, I could never have dreamed of the impact it would have on my work and on my life. Even then, it took me an age to have the confidence to put my artwork out there. Always lacking in confidence, I cannot imagine I could ever have approached a gallery or boutique owner face to face and offered up my work for their inspection. The internet gave me the ‘distance’ that I needed. My work is there, for all to see and people can have an honest reaction to it and respond to it only if they so wish.

Of course I am buoyed and elated by the reactions that I have received. When someone ‘connects’ to me through a piece that is incredibly important to me in that it is a complete reflection of who I am, well there is nothing to match that emotion. Of course, I have now realized that the ‘distance’ that I at first thought the internet afforded me, is in reality non-existent. Rather the internet has ‘connected’ me to like minded souls and for that I will forever be grateful.

5. Have you discovered any new technique to creating your work that you can share?

I recently discovered the joys and unpredictability of gluing and then removing background papers to my painting surface. I love the way the paper tears and leaves ghostly hints of an image or text, which I then draw, paint and glaze over to create the aged and damaged surfaces that I love. Free machine stitching with my beloved gold thread is another frequent addition to my paintings, as well as accessories, again creating texture, which is an important feature of my work. I have recently been teaching felt making in my workshops and have rediscovered my love for creating texture and color with fibers. I am currently working on a range of accessories that combine this beautiful textile with my usual materials of lace and machine and hand embroidery.

6. How do you overcome artist block?

I have to admit that at times it is a real struggle for me and can hit me like a wave. But I am always ‘creating’ in some form. When I am struggling with painting, I get the sewing machine out. When the ideas are stuck in the recesses of my mind, I crochet or knit. When I cannot ‘visualize’ or see what I want to create, I write – endless pages of automatic writing. Even if at first I am writing about the fact that I do not want to do the housework, or what we need from the shops, it always turns into pages and pages of my own inner dreams, thoughts and struggles. I love to play with words and I love how the very action of writing can release me from the fogginess that can smother my ideas. Inevitably, these meanderings become ideas for paintings and other work. Yet again, I am never, ever bored!

7. If I walked into your studio this moment what would you show me first? What would you want to hide?

I think I would be excited to show you the layers and textures of my work. I feel that is something I can never truly convey in the photographs or even the prints of my work. I love working with layers and building up subtle tones and depth and I would love for you to see that. Also I would show off my inspiration boards! Both my loft space and painting studio are crowded with images, photographs, bits, and pieces that constantly inspire me. As far as the thing I would hide – oh dear, I have to admit to eating far too many biscuits and drinking far too many cups of earl grey tea when working. But perhaps rather than hiding them, I would just ask you to join me!

8. Describe something that comes up in your work because of a life experience.

I am constantly inspired by the theme of ‘memory’. Perhaps one of the reasons for this is that my own is so atrocious! I am terrified of not being able to remember not only the important and big events of my life, but also the subtle details of the emotions I felt at a particular time, or the way I was inspired by something beautiful or sad or thought provoking. Costume and the age and details of garments feature strongly in my work too. Clothes and costume to me are not just something we wear, but they are an extension of our own character. When I paint garments, I am not only thinking of the fabric or the color, but also the stories and experiences which would be stitched into the hems, the times that have past and our own memories. It is strange but it often seems as if the strongest memories I have, are not of my own childhood or years gone past, but the memories that could have been stored from before my own lifetime – and I think that is what I want others to see in my work.

9. Describe what you do, or who you are in a haiku.

Oh dear – this is my first ever haiku – (I know they are not necessarily about ‘thoughts’ so I have cheated a bit!)

Memory whispers,
Ancient thoughts torn and threadbare
Forever I dream

10. Is there anything else that you would like to share?

I think just that, for me following the ‘wrong’ path was not necessarily a mistake, rather a matter of timing. Ultimately, the opportunity to follow your dream can come a calling. It is just recognizing it when it happens!

Also just to thank you Rose for your valuable support and encouragement – It really is the friends I have met through blogging and the internet that have provided me with the inspiration to follow this path!